Write enough reviews and it is easy to fall into the trap of thinking of films as discrete cultural units. Artefacts cut asunder from the rest of the world and presented to the audience in a neat little package. Thinking of films in these terms tends to lead one to focus upon macroscopic issues such as plot, performance and theme whilst ignoring the fine-grained details of the film such as the cinematography, the sound editing and the techniques used to convey those plots and themes. In an attempt to wean myself away from thinking of films as discrete cultural artefacts, I have decided to write a series of pieces that focus on individual scenes from a critical perspective. My own take on the Anatomy of a Scene series if you will.
The first scene to go under the microscope is the opening sequence of Orson Welles’ Touch of Evil (1958).