This weekend, I saw what I think is possibly the film of the year.  Lars von Trier’s Antichrist (2009) is a triumph of style, content, and artistic politics.  It is such a complex and subtle film that I feel that I need more than one post to do it justice and so, this is the first in a series of posts about Antichrist.  The first intalment is about the correct way to approach the film as a work of art.

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