Georges Franju’s background was in theatrical set design. As a set designer, he would have learned to create atmosphere through the use of subtle visual queues but he would also have learned that every scene and every shot are a world of their own. Properly conceived, a single shot can convey as much information as an entire page of dialogue. Where the camera focuses, when people enter, where objects stand and how they are lit are not merely aesthetic variables, they are to cinema what words are to poetry and literature. As such, it is perhaps fitting that Ruthless Culture’s first look at a work of Franju should be a short film that is practically silent; His 1949 short film about Parisian slaughterhouses Blood of the Beasts.