FilmJuice have my review of the really rather wonderful 1960s Italian anthology film RoGoPaG. Comprising three short films directed by Roberto Rossellini, Jean-Luc Godard, Pier Paolo Pasolini and Ugo Gregoretti, RoGoPaG is funny, satirical, gnomic and misogynistic in equal parts but the satire and humour of Passolini and Goretti more than make up for the pretentiousness and misogyny of Godard and Rossellini.
The film begins poorly with a well made but ultimately insipid morality tale by Roberto Rossellini in which an innocent and matronly airhostess (Rosanna Schiaffino) reinvents herself as a ‘whore’ in order to escape the attentions of a horny businessman. Schiaffino is undoubtedly charismatic but her charms simply cannot make up for the grinding misogyny of the film’s themes and plot.
Much like Pigsty and Hawks and Sparrows, Pasolini’s short film “La Ricotta” is a joyous avalanche of images and symbols that communicate mood far more effectively than they communicate ideas. The film revolves around an attempt to make a film about the Crucifixion that ends with one of the bit players dying on the cross as a result of eating too much cheese. Pasolini was evidently sent to prison for making the film and, to be honest, I can see why as the anger and hostility to organised religion are clear even though the exact nature of that anger is much harder to discern. The best short film in the collection is also the product of the least well-known director. Ugo Gregoretti’s “Il Polo Ruspante” is a well-observed and viciously delivered critique of Italian post-War consumerism in which a small family travel across the country while being fleeced by everyone they enter into contact with.