Videovista have my review of Quentin Dupieux’s postmodern exploitation film Rubber. A film that features a sentient tyre, exploding heads and a cinema audience that is force-fed poisoned turkey after spending a night alone in the desert while a tyre sits in a motel room watching TV.
While I’m not convinced that the film is entirely successful in what it sets out to do (the joke ultimately fails to sustain the film despite its short running time), this is still a hugely imaginative and ambitious piece of film-making that is unlike anything you will see in the cinema or on DVD this year:
By confronting us with the absurdity of audiences speculating about the emotional lives of apes and tires, Philibert and Dupieux are drawing our attention to the inherent absurdity of the cinematic medium: Why do we care about the characters in films? They do not exist! They are not real!
My review also points out a number of similarities between Rubber and Nicolas Philibert’s ape-based documentary Nenette (2010), which I wrote about on this very blog.