Drag Me To Hell marks Sam Raimi’s return to the world of Horror from the sunny shores of Summer Blockbuster island.  As with his three Evil Dead films, Drag Me To Hell straddles the gap between Horror and Comedy by combining elements of slapstick knockabout humour with the major keys, creeping camera-work and build and release mechanics of the Horror genre.  However, for a film that seeks to trade so heavily upon its big visual set-pieces, it is not only poorly written but grossly over-written too.

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