<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:georss="http://www.georss.org/georss" xmlns:geo="http://www.w3.org/2003/01/geo/wgs84_pos#" xmlns:media="http://search.yahoo.com/mrss/"
		>
<channel>
	<title>Comments on: The Offence (1972) &#8211; I am not your Godhead, I am just a Paedophile</title>
	<atom:link href="http://ruthlessculture.com/2009/10/14/the-offence-1972-i-am-not-your-godhead-i-am-just-a-paedophile/feed/" rel="self" type="application/rss+xml" />
	<link>http://ruthlessculture.com/2009/10/14/the-offence-1972-i-am-not-your-godhead-i-am-just-a-paedophile/</link>
	<description>Jonathan McCalmont's Criticism</description>
	<lastBuildDate>Sun, 12 Feb 2012 18:00:44 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.com/</generator>
	<item>
		<title>By: Film Log For The Second Half of 2009 &#171; Ruthless Culture</title>
		<link>http://ruthlessculture.com/2009/10/14/the-offence-1972-i-am-not-your-godhead-i-am-just-a-paedophile/#comment-766</link>
		<dc:creator><![CDATA[Film Log For The Second Half of 2009 &#171; Ruthless Culture]]></dc:creator>
		<pubDate>Fri, 01 Jan 2010 15:33:17 +0000</pubDate>
		<guid isPermaLink="false">http://ruthlessculture.com/?p=940#comment-766</guid>
		<description><![CDATA[[...] The Offence (1972) [Ruthless Culture]  :  Magnificently moody psychological thriller dealing with the unravelling of a thuggish [...]]]></description>
		<content:encoded><![CDATA[<p>[...] The Offence (1972) [Ruthless Culture]  :  Magnificently moody psychological thriller dealing with the unravelling of a thuggish [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Jonathan M</title>
		<link>http://ruthlessculture.com/2009/10/14/the-offence-1972-i-am-not-your-godhead-i-am-just-a-paedophile/#comment-658</link>
		<dc:creator><![CDATA[Jonathan M]]></dc:creator>
		<pubDate>Sun, 18 Oct 2009 14:31:54 +0000</pubDate>
		<guid isPermaLink="false">http://ruthlessculture.com/?p=940#comment-658</guid>
		<description><![CDATA[Thanks Richard :-)

It is a mightily impressive film, very glad I finally decided to track it down.  I agree with you that the British context for this kind of violence and depravity is very different to the American one and that it is one that merits real exploration.

I also adored the way that Johnson starts in on Baxter by talking about incredibly banal relationship problems.  As though it&#039;s the most natural thing in the world for someone to start raping children when they realise that their relationship isn&#039;t as physical as they&#039;d like.  It speaks of this world of separate beds, throat-to-ankle nighties and a growing sense of anger and frustration cloaked behind a veneer of happiness and socialising.

All the stuff about seeing the people you hated at school but being perfectly aware of how you&#039;re doing better than them is so quintessentially English and of that period.]]></description>
		<content:encoded><![CDATA[<p>Thanks Richard :-)</p>
<p>It is a mightily impressive film, very glad I finally decided to track it down.  I agree with you that the British context for this kind of violence and depravity is very different to the American one and that it is one that merits real exploration.</p>
<p>I also adored the way that Johnson starts in on Baxter by talking about incredibly banal relationship problems.  As though it&#8217;s the most natural thing in the world for someone to start raping children when they realise that their relationship isn&#8217;t as physical as they&#8217;d like.  It speaks of this world of separate beds, throat-to-ankle nighties and a growing sense of anger and frustration cloaked behind a veneer of happiness and socialising.</p>
<p>All the stuff about seeing the people you hated at school but being perfectly aware of how you&#8217;re doing better than them is so quintessentially English and of that period.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Richard Kovitch</title>
		<link>http://ruthlessculture.com/2009/10/14/the-offence-1972-i-am-not-your-godhead-i-am-just-a-paedophile/#comment-657</link>
		<dc:creator><![CDATA[Richard Kovitch]]></dc:creator>
		<pubDate>Sun, 18 Oct 2009 13:59:00 +0000</pubDate>
		<guid isPermaLink="false">http://ruthlessculture.com/?p=940#comment-657</guid>
		<description><![CDATA[Great stuff Jonathan. The Offence is one of my all time favourite films and yet another reminder of the mileage the British landscape has provided an overseas director with genuine cinematic mileage.  Who these days could envisage setting a Hollywood-funded noir in Bracknell of all places? The film it taps into something very English culturally, a damp, quietly murderous terrain most often reflected in real life cases, a long history of serial killers that have regularly featured in post-war british culture to an emblematic degree - Hindely &amp; Brady, Sutcliffe, Nielson and most recently in Ipswich.  This other britain, dank and subterranean, strikes me as extremely fertile ground for British cinema to dwell upon and yet - by and large - remains soley the domain of lukewarm evening drama, that sanitises and eradicates the primal nastiness the Offence so brilliantly evoked. Personally, it&#039;s a mystery why british film never visits this terrain.]]></description>
		<content:encoded><![CDATA[<p>Great stuff Jonathan. The Offence is one of my all time favourite films and yet another reminder of the mileage the British landscape has provided an overseas director with genuine cinematic mileage.  Who these days could envisage setting a Hollywood-funded noir in Bracknell of all places? The film it taps into something very English culturally, a damp, quietly murderous terrain most often reflected in real life cases, a long history of serial killers that have regularly featured in post-war british culture to an emblematic degree &#8211; Hindely &amp; Brady, Sutcliffe, Nielson and most recently in Ipswich.  This other britain, dank and subterranean, strikes me as extremely fertile ground for British cinema to dwell upon and yet &#8211; by and large &#8211; remains soley the domain of lukewarm evening drama, that sanitises and eradicates the primal nastiness the Offence so brilliantly evoked. Personally, it&#8217;s a mystery why british film never visits this terrain.</p>
]]></content:encoded>
	</item>
</channel>
</rss>

